Tag Archives: World War Two

PROTECTING THE DEAD . . . ON VETERANS’ DAY AND ALL DAYS

Before Veteran’s Day is over, I thought I would repost two passages from my commonplace book that always come to mind on this day.  Both come from Wendell Berry’s marvelous novel Hannah CoulterHannah Coulter is set in the tiny hamlet of Port William and brings that fictional community to life through the memories of an aged farm wife. Chronologically, the novel spans the period from the Great Depression through the close of the twentieth century, but the emotional heart of the novel grapples with the personal effects of the Second World War.

Toward the end of her recollections, Hannah relates that she “married the war twice, you might say, once in ignorance, once in knowledge.” She married her first true love, Virgil Feltner, just weeks before the Japanese attack on Pearl Harbor. Virgil entered the army in 1942 but didn’t come home, falling at the Battle of the Bulge. In 1948 she married another local GI, Nathan Coulter, who did come home but was forever marked by what he had experienced.

Hannah’s reflections about her second husband remind me of my own father’s unwillingness—or inability—to share about his wartime experiences. And so I was deeply moved to read Hannah’s reflections on Nathan’s half-century-long silence:

He did not talk about it, I understood, because it was painful to remember; and for the same reason I did not ask him about it. . . . Nathan was not the only one who was in it, who survived it and came home from it and did not talk about it. There were several from Port William who went and fought and came home and lived to be old men here, whose memories contained in silence the farthest distances of the world, terrible sights, terrible sufferings. Some of them were heroes. And they said not a word. They stood among us like monuments without inscriptions. They said nothing or said little because we have barely a language for what they knew, and they could not bear the pain of talking of their knowledge in even so poor a language as we have.

If this passage speaks to me as the son of one of these “monuments without inscriptions,” a second passage now in my commonplace book speaks to anyone who wishes to take the past seriously. Much earlier in the novel, Hannah shares some of what went through her mind after news arrived of the death of her first husband, Virgil:

Grieved as I was, half destroyed as I sometimes felt myself to be, I didn’t get mad about Virgil’s death. Who was there to get mad at? It would be like getting mad at the world, or at God. What made me mad, and still does, were the people who took it on themselves to speak for him after he was dead. I dislike for the dead to be made to agree with whatever some powerful living person wants to say. Was Virgil a hero? In his dying was he willing to die, or glad to sacrifice his life? Is the life and freedom of the living a satisfactory payment to the dead in war for their dying? Would Virgil think so? I have imagined that he would. But I don’t know. Who can speak for the dead? . . .

It’s a powerful question. Who, indeed, can speak for the dead? In a sense, this is exactly what the historian is called to do, to resurrect the dead and give them voice again. And yet, as Hannah realizes, in our fallenness we will be sorely tempted to make the dead agree with us, to speak for us rather than to us. None of us is exempt. It is a temptation that Christians face just as strongly as the most ideologically driven “revisionist.” And when we succumb to it, however noble our motives, Hannah reminds us that what we are doing is preying on the weak. “I don’t mean to be quarrelsome,” she concludes, “but the dead are helpless. . . . The living must protect the dead.”

“MONUMENTS WITHOUT INSCRIPTIONS”–OUR WWII VETERANS

The World War Two Memorial

I was back in Washington, D.C. last week and had the privilege of visiting the World War Two Memorial there.  If you haven’t visited it before, it’s an impressive site, although I had the kind of mixed feelings that regularly plague me on such locations.  I can’t help but think we should visit such places in quietness and contemplation.  One of the prominent inscriptions on the memorial is from one of my sailor father’s heroes, Admiral Chester Nimitz:

They fought together as brothers-in-arms.  They died together and now they sleep side by side.  To them we have a solemn obligation.

And yet there was very little solemnity around me as I walked around the memorial.  The memorial is ringed by two semi-circular walls on which the names of the major battles of the European and Pacific theaters are inscribed, and when I got to the two words “LEYTE GULF”–the battle in which my father’s destroyer was sunk by Japanese suicide bombers–I found it hard to swallow, and for a moment, difficult to see.  And yet all around me there were children laughing and playing, teenagers eating hot dogs and taking selfies, and tired parents resting on the names of battles at which Americans had died.  If an experience can be inspiring and depressing simultaneously, this one was.

“Monuments Without Inscriptions”

All of which has got me to thinking about a different kind of WWII memorial, namely the dwindling number of surviving WWII veterans.  Roughly 97 percent of those who served our country during World War Two are now gone.  Many who are still with us are past sharing about their experiences, and many never wished to.

In writing this I am reminded of one my favorite books by one of my favorite authors: Hannah Coulter, by Wendell Berry, the prolific Kentucky novelist, poet, and essayist.  Like many of Berry’s novels, Hannah Coulter is set in the tiny fictional hamlet of Port William, Kentucky.  Narrated through the reminiscences of an aged farm wife, the novel spans the period from the Great Depression through the close of the twentieth century, but the emotional heart of the novel grapples with the personal effects of the Second World War.

HannahCoulter

Toward the end of her recollections, Hannah relates that she “married the war twice, you might say, once in ignorance, once in knowledge.” She married her first true love, Virgil Feltner, just weeks before the Japanese attack on Pearl Harbor. Virgil entered the army in 1942 but didn’t come home, falling at the Battle of the Bulge. In 1948 she married another local GI, Nathan Coulter.  Nathan came home physically unscathed, but forever marked by what he had experienced.

Hannah’s reflections about her second husband remind me of my own father’s unwillingness—or inability—to share about his wartime experiences. As I have noted before, my dad saw extensive action in the South Pacific from 1942-1944. On the third anniversary of Pearl Harbor, his destroyer, the U.S.S. Mahan, was hit by three Japanese Kamikaze suicide bombers off the coast of the Philippines and sunk. Dad has always been willing to share this much, but no more. What he felt when he heard the crash of the Kamikazes, what he thought when the forward magazine on the Mahan exploded, what he saw as he headed toward the side, what went through his mind when he jumped into the oil-coated bay, what, perhaps, he prayed as he bobbed in the water while the battle continued to rage—these are things that Dad never once offered to share.

And so I was deeply moved to read Hannah’s reflections on Nathan’s half-century-long silence:

He did not talk about it, I understood, because it was painful to remember; and for the same reason I did not ask him about it. . . . Nathan was not the only one who was in it, who survived it and came home from it and did not talk about it. There were several from Port William who went and fought and came home and lived to be old men here, whose memories contained in silence the farthest distances of the world, terrible sights, terrible sufferings. Some of them were heroes. And they said not a word. They stood among us like monuments without inscriptions. They said nothing or said little because we have barely a language for what they knew, and they could not bear the pain of talking of their knowledge in even so poor a language as we have.

Are there “monuments without inscriptions” in your life today?  Reach out to them while you can.

“MONUMENTS WITHOUT INSCRIPTIONS”: OUR WWII VETERANS

veteran

Today’s anniversary of the Japanese attack on Pearl Harbor has me thinking about our WWII veterans.  Ninety-six percent of those who served our country during World War Two are now gone.  Many who are still with us are past sharing about their experiences, and many never wished to.

In writing this I am reminded of one my favorite books by one of my favorite authors: Hannah Coulter, by Wendell Berry, the prolific Kentucky novelist, poet, and essayist.  Like many of Berry’s novels, Hannah Coulter is set in the tiny fictional hamlet of Port William, Kentucky.  Narrated through the reminiscences of an aged farm wife, the novel spans the period from the Great Depression through the close of the twentieth century, but the emotional heart of the novel grapples with the personal effects of the Second World War.

HannahCoulter

Toward the end of her recollections, Hannah relates that she “married the war twice, you might say, once in ignorance, once in knowledge.” She married her first true love, Virgil Feltner, just weeks before the Japanese attack on Pearl Harbor. Virgil entered the army in 1942 but didn’t come home, falling at the Battle of the Bulge. In 1948 she married another local GI, Nathan Coulter.  Nathan came home physically unscathed, but forever marked by what he had experienced.

Hannah’s reflections about her second husband remind me of my own father’s unwillingness—or inability—to share about his wartime experiences. As I have noted before, my dad served in the navy during WWII and saw extensive action in the South Pacific. On the third anniversary of Pearl Harbor, his destroyer, the U.S.S. Mahan, was hit by three Japanese Kamikaze suicide bombers off the coast of the Philippines and sunk. Dad has always been willing to share this much, but no more. What he felt when he heard the crash of the Kamikazes, what he thought when the forward magazine on the Mahan exploded, what he saw as he headed toward the side, what went through his mind when he jumped into the oil-coated bay, what, perhaps, he prayed as he bobbed in the water while the battle continued to rage—these are things that Dad never once offered to share.

And so I was deeply moved to read Hannah’s reflections on Nathan’s half-century-long silence:

He did not talk about it, I understood, because it was painful to remember; and for the same reason I did not ask him about it. . . . Nathan was not the only one who was in it, who survived it and came home from it and did not talk about it. There were several from Port William who went and fought and came home and lived to be old men here, whose memories contained in silence the farthest distances of the world, terrible sights, terrible sufferings. Some of them were heroes. And they said not a word. They stood among us like monuments without inscriptions. They said nothing or said little because we have barely a language for what they knew, and they could not bear the pain of talking of their knowledge in even so poor a language as we have.

Are there “monuments without inscriptions” in your life today?  Reach out to them while you can.

THE FIRST THANKSGIVING IN AMERICAN MEMORY–PART TWO

“Home to Thanksgiving,” George H. Durrie, 1861. As late as the Civil War, few visual representations of Thanksgiving linked the holiday with the Pilgrims. Thanksgiving was “supremely the home day,” with “the gathering together of the family its most charming feature.”

“Home to Thanksgiving,” George H. Durrie, 1861. As late as the Civil War, few visual representations of Thanksgiving linked the holiday with the Pilgrims. Thanksgiving was “supremely the home day,” with “the gathering together of the family its most charming feature.”

Popular historical memory of the past changes dramatically over time, and the way Americans have remembered the “First Thanksgiving” is a classic example. As I noted last time, for the first two centuries after the  Pilgrims’ 1621 celebration, Americans attached almost no weight at all to the event. The reason for this was simple: no one remembered it.

This changed in the 1840s and 1850s when a variety of Pilgrim documents shedding light on the 1621 celebration were rediscovered and published. Even then, however, Americans didn’t rush to embrace the First Thanksgiving as a key moment in the American founding. The story of the First Thanksgiving didn’t fit well with how Americans wanted to remember the past, and it contradicted how they wanted to celebrate Thanksgiving in the present and the future.

To begin with, the evidence that was coming to light suggested that Native Americans had been right in the middle of the Pilgrims’ celebration, but the nation in the 1840s was committed to a policy of Indian removal. Second, the evidence cemented the perception of Thanksgiving as originating in New England at a time when tensions between North and South were rising to a critical level. Finally, the historical evidence underscored the Pilgrims’ conviction that Days of Thanksgiving should be proclaimed irregularly and should center on public worship. By the mid-1800s, however, Americans had generally reversed these criteria and seemed satisfied with the new pattern.

It wasn’t until the close of the nineteenth century that Americans widely began to link their cherished Thanksgiving holiday with the Pilgrims and their 1621 celebration. From that point onward the correlation between Thanksgiving and the Pilgrims grew steadily. Art work, fiction, political speeches, school plays, greeting cards, even advertisements for beer and cigarettes collaborated to convince Americans of the centrality of the Pilgrims to the contemporary holiday. (“How the Pilgrims would have enjoyed Budweiser,” gushed a 1908 ad in the Chicago Daily Tribune, “how they would have quaffed it with heartfelt praise and gladness of heart.”)

By the early 1920s the link between Thanksgiving and the Pilgrims was widely assumed, as this 1924 cover of the Saturday Evening Post attests.

By the early 1920s the link between Thanksgiving and the Pilgrims was widely assumed, as this 1924 cover of the Saturday Evening Post attests.

It was 1939 before an American president connected Thanksgiving explicitly with the Pilgrims.  In the depths of the Great Depression, Franklin Roosevelt encouraged Americans to remember the Pilgrims, who “humbly paused in their work and gave thanks to God for the preservation of their community and for the abundant yield of the soil.” By the 1950s such references were almost obligatory. They were a staple of Dwight Eisenhower’s proclamations, and in 1961 John F. Kennedy took the opportunity in his first Thanksgiving proclamation to “ask the head of each family to recount to his children the story of the first New England thanksgiving.” Like the Jewish patriarch at Passover, American fathers were now to instruct future generations about the sacred origins of their celebration. The Pilgrims’ role as the founders of Thanksgiving was now unquestioned.

So why the difference? What had changed since the middle of the 1800s to make the Pilgrims so popular? I think there were two underlying trends in American life that made it possible. First, the obstacles that had discouraged Americans from embracing the story of the First Thanksgiving back in the mid-nineteenth century gradually faded. For starters, by the close of the nineteenth century America’s Indian wars were comfortably past, and it would begin to be broadly possible in the public mind to reinterpret the place of Native Americans at the Thanksgiving table. Although relations between the Pilgrims and the Wampanoag had always been tense, writers could begin to rhapsodize over the “friendly redskins” who had assisted the Pilgrims, and politicians could locate in the First Thanksgiving an inspiring “vision of brotherhood.”

As with the holiday’s link to Native Americans, Thanksgiving’s association with New England would also become less of a liability over time. Within a generation of Robert E. Lee’s surrender to Ulysses Grant at Appomattox, both North and South would begin to romanticize the Civil War, promoting sectional reconciliation through a “willful amnesia” that minimized the depth of the issues that had earlier divided them. As part of this larger process, the commemoration of Thanksgiving itself became gradually less politicized, and the day would come when white Southerners could adopt the Pilgrims as honorary ancestors without renouncing their regional loyalties.

Finally, a number of well-meaning amateur historians re-wrote the history of the First Thanksgiving to transform it into a private, domestic event. Whereas the Pilgrims’ 1621 feast likely had the feel of a community barbeque—with at least 150 people taking part in an outdoor celebration in which they ate with their hands while sitting on the ground—Americans by the mid-1800s associated Thanksgiving with homecoming, a time for loved ones to gather around the family table. And so they simply re-imagined the event to resemble their own custom, insisting that the Pilgrims had walked to church for a Thanksgiving service before returning to their individual homes for their private Thanksgiving dinners.

While these changes opened the door for Americans gradually to embrace the Pilgrims, other changes in the late-nineteenth century made the adoption of the Pilgrims not only possible but desirable. The most important of these was a dramatic upsurge of immigration.  By the 1890s, the most pressing political challenge facing the country was no longer the preservation of sectional harmony or conflict with Native Americans, but rather how to assimilate an unprecedented influx of new immigrants to the United States. From the 1880s into the early 1920s, immigrants from southern and eastern Europe—Poles, Italians, Russians, Greeks, Czechs, Armenians, Croats, and Ruthenians, among others—would flood into the United States by the millions, creating anxiety among the native born that their country was being overrun by inassimilable aliens.

As human beings we always remember the past from the vantage point of the present, and in the late-nineteenth century native-born Americans increasingly surveyed the country’s history in the light of contemporary concerns about immigration. The effect on popular memory of the Pilgrims was dramatic. In 1841 Americans had recalled the Pilgrims primarily as New Englanders, or as Puritans, or as generic whites striving to coexist with Indians. By the dawn of the twentieth century they remembered them first and foremost as immigrants. More precisely, by 1900 they had transformed the Pilgrims into America’s model immigrants, the standard against which all newcomers should be measured.

Critics of the new immigrants compared them to the Pilgrims and found them wanting. Noting that Thanksgiving was “the nation’s tribute” to the “sublime strength of character which ennobled the Pilgrims,” a Christian magazine based in Chicago editorialized that the influx from southern and eastern Europe was bringing with it “the germs of a moral malaria.”

The department store Marshall Field and Company echoed this concern in a full-page Thanksgiving ad in 1920. The advertisement featured in the foreground a large, stereotypical Pilgrim male standing on Plymouth Rock, and in the background a sea of immigrants entering the country through Ellis Island. “What metal do they bring to this melting pot?” the ad inquired. “Do they bear the precious ore of the early Pilgrims, or the dross of the disturber? . . . We want only those who—like the Pilgrims of old—landed here with gratitude on their lips and thanksgiving in their hearts.”  The image from Life magazine below presented much the same visual message–absent the leading rhetorical question–as early as 1887.

Life Magazine, 1887

Life Magazine, 1887

The more optimistic believed that the example of the Pilgrims could be used to “Americanize” immigrants. The Citizenship Committee of the American Bar Association found in the history of Thanksgiving an ideal context for inculcating “the principles and ideals of our government in the minds and hearts of the people.” Progressive educators agreed. Soon Thanksgiving materials proliferated in teachers’ magazines and published curricula, and by the 1920s a survey of elementary school principals revealed that Thanksgiving was the single most celebrated holiday.

Once the Pilgrims had became honorary Founding Fathers, Americans rushed to enlist them as allies in the political struggle du jour. In the midst of the Progressive Era, Theodore Roosevelt placed the Pilgrims on the side of the regulation of Big Business, observing that “the spirit of the Puritan was a spirit which never shrank from regulation of conduct if such regulation was necessary for the public weal.” During the height of the McCarthy Era, the International Nickel Company took out an ad in the Saturday Evening Post portraying the Pilgrims as both libertarian and anti-Communist; in 1623 the Pilgrims had “turned away from governmental dictation” because they realized that “there was plenty for ALL, only when men were Free to work for themselves.” At the close of the turbulent 1960s, Look magazine recalled the Pilgrims as “dissidents” and “commune-builders.”

During World War Two the Pilgrims became ideal soldiers. In its 1942 Thanksgiving issue, Life reminded readers that the Pilgrims had been a “hardy lot,” a “strong-minded people” who “waged hard, offensive wars” and never forgot that “victory comes from God.” When President Roosevelt declared after Pearl Harbor that the nation’s cause was “liberty under God,” the magazine concluded that he might as well “have been speaking for the Puritan Fathers.” At the height of the Cold War, the Chicago Tribune remembered the First Thanksgiving as “our first détente,” but the paper also enlisted the Pilgrims on the side of military preparedness; their security had been rooted in “the clear demonstration that they had the equipment and the will to fight for their survival.”

But not only for their survival, for the Pilgrims had believed in “the restless search for a better world for all,” as President Lyndon Johnson observed in 1965 as he appealed to “the principles that the early Pilgrims forged” to explain why U. S. sons were fighting in Viet Nam. Yet the Pilgrims had also cherished peace, for as Bill Clinton told the nation a generation later, the same spirit that prompted them to sit down with the Wampanoag had also infused efforts for a “comprehensive peace in the Middle East.”

Our adopted Founders have been remarkably malleable, wouldn’t you say?

FROM MY COMMONPLACE BOOK: WENDELL BERRY ON PROTECTING THE DEAD

I thought I would take a break from my series on the American Revolution to share the latest entry I have made in my commonplace book. It comes from a book I listened to just a couple of weekends ago as I made the 640-mile-drive from Wheaton to my father’s assisted living home in southeastern Tennessee. I make the trip almost every time the school’s schedule permits. In this case, Wheaton College was on what is known euphemistically around here as “Spring Break.” If the term describes reality in some parts of the country, I’ve learned that it’s mostly a cruel joke in the upper Midwest. There were icicles on the eaves and six inches of snow on the ground as I backed out of my driveway, and I was happy to be headed for warmer climes.

I was also looking forward to listening to an audio book or two along the way. Nothing makes the miles pass as quickly, in my experience. I’ve made this trek more than thirty times since moving to Wheaton, and I’ve long since developed a ritual in which I visit the local library on the day before the trip and check out three or four titles. I’ll listen to the opening pages of each as I’m headed out of town, and before an hour has passed I’ve made my choice and entered into a committed relationship for the duration of the trip.

Wendell Berry

Wendell Berry

The choice was easy this time around. I settled quickly on the 2004 novel Hannah Coulter, by Wendell Berry. I had long heard of Berry, the prolific Kentucky novelist, poet, and essayist, but I had never read anything by him until the previous fall, when I had listened to his 2000 novel Jayber Crow on an earlier trip to see Dad. I’m a historian—not a literary critic—so take this assessment for what it’s worth, but I was enthralled. I think the book is remarkable in three respects: Berry masterfully recreates a place, in this instance the fictional rural community of Port William, Kentucky; he raises eternal questions without preaching or offering simplistic answers; and he crafts what is hands down the most unique love story I’ve ever encountered. Call me a fan.

HannahCoulterAnd so when I found that the library carried another Berry title on tape, I knew that I wanted to listen to it. Like Jayber Crow (and most of Berry’s fiction), Hannah Coulter is set in the tiny hamlet of Port William. Whereas Jayber Crow recreated life there through the eyes of the town’s barber, Hannah Coulter sketches the community through the memories of an aged farm wife. Chronologically, the novel spans the period from the Great Depression through the close of the twentieth century, but the emotional heart of the novel grapples with the personal effects of the Second World War.

Toward the end of her recollections, Hannah relates that she “married the war twice, you might say, once in ignorance, once in knowledge.” She married her first true love, Virgil Feltner, just weeks before the Japanese attack on Pearl Harbor. Virgil entered the army in 1942 but didn’t come home, falling at the Battle of the Bulge. In 1948 she married another local GI, Nathan Coulter, who did come home but was forever marked by what he had experienced.

Some of the passages that I have recorded in my commonplace book are there for personal reasons. Hannah’s reflections about her second husband remind me of my own father’s unwillingness—or inability—to share about his wartime experiences. As I have noted before, my dad served in the navy during WWII and saw extensive action in the South Pacific. On the third anniversary of Pearl Harbor, his destroyer, the U.S.S. Mahan, was hit by three Japanese Kamikaze suicide bombers off the coast of the Philippines and sunk. Dad has always been willing to share this much, but no more. What he felt when he heard the crash of the Kamikazes, what he thought when the forward magazine on the Mahan exploded, what he saw as he headed toward the side, what went through his mind when he jumped into the oil-coated bay, what, perhaps, he prayed as he bobbed in the water while the battle continued to rage—these are things that Dad never once offered to share.

And so I was deeply moved to read Hannah’s reflections on Nathan’s half-century-long silence:

He did not talk about it, I understood, because it was painful to remember; and for the same reason I did not ask him about it. . . . Nathan was not the only one who was in it, who survived it and came home from it and did not talk about it. There were several from Port William who went and fought and came home and lived to be old men here, whose memories contained in silence the farthest distances of the world, terrible sights, terrible sufferings. Some of them were heroes. And they said not a word. They stood among us like monuments without inscriptions. They said nothing or said little because we have barely a language for what they knew, and they could not bear the pain of talking of their knowledge in even so poor a language as we have.

If this passage speaks to me as the son of one of these “monuments without inscriptions,” a second passage now in my commonplace book speaks to anyone who wishes to take the past seriously. Much earlier in the novel, Hannah shares some of what went through her mind after news arrived of the death of her first husband, Virgil:

Grieved as I was, half destroyed as I sometimes felt myself to be, I didn’t get mad about Virgil’s death. Who was there to get mad at? It would be like getting mad at the world, or at God. What made me mad, and still does, were the people who took it on themselves to speak for him after he was dead. I dislike for the dead to be made to agree with whatever some powerful living person wants to say. Was Virgil a hero? In his dying was he willing to die, or glad to sacrifice his life? Is the life and freedom of the living a satisfactory payment to the dead in war for their dying? Would Virgil think so? I have imagined that he would. But I don’t know. Who can speak for the dead? . . .

It’s a powerful question. Who, indeed, can speak for the dead? In a sense, this is exactly what the historian is called to do, to resurrect the dead and give them voice again. And yet, as Hannah realizes, in our fallenness we will be sorely tempted to make the dead agree with us, to speak for us rather than to us. None of us is exempt. It is a temptation that Christians face just as strongly as the most ideologically driven “revisionist.” And when we succumb to it, however noble our motives, Hannah reminds us that what we are doing is preying on the weak. “I don’t mean to be quarrelsome,” she concludes, “but the dead are helpless. . . . The living must protect the dead.”